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Warehouse 13, Not Exactly A Garage Sale.
The title is pretty suggestive, isn't it? That's what I thought when I first heard it; and when I read the premise, I was pretty much hooked. It's well-written, has good acting, and it's been very carefully produced, with almost every little detail looked after. Why should you watch this show? Well, all of the above are good enough reasons, but let me go into it in more depth.
The show is an original SyFy (the horrible new name for the former "Sci Fi Channel") production, debuting on July 7, 2009 on that network; for an initial run of thirteen episodes. It was created by Jane Espenson (writer for Buffy and Battlestar Galactica, and writer and showrunner for the upcoming BSG spin-off, Caprica) and D. Brent Mote (who was no previous relevant credits), and it's executive produced by Jack Kenny (co-creator of Titus, and creator of The Book Of Daniel). Writers in the show include Mote, Espenson and Kelly themselves, as well as a wide array of talent like Rockne S. O'Bannon (creator of Farscape), Drew Z. Greenberg (Buffy, Smallville, The O.C., Dexter), Tamara Beecher (script coordinator for shows like Terminator: Sarah Connor Chronicles, Wonderfalls, and Buffy), as well as comic book writer Ben Raab (The Phantom, Excalibur, Green Lantern).
The series follows two agents from the United States Secret Service, the by-the-book Myka Bering (Joanne Kelly) and the maverick (who relies on hunches and "feelings") Pete Lattimer (Eddie McClintock), who are reassigned to a special operation based out of "Warehouse 13", after showing special temple in the face of abnormal circumstances. The Warehouse is lead by the mysterious Mrs. Fredericks, and ran in-site by veteran agent Arthur Nielsen, who's an expert on the matter that concerns the organization: paranormal artifacts.
Nestled within the folds of government bureaucracy, the Warehouse has existed for a long time, and its existence is known by a select few. It exists to contain objects with special properties that endanger or could potentially endanger innocents, with very few of those artifacts being considered safe enough to be used by Warehouse agents in their missions. With Artie as a researcher and controller, Bering and Lattimer act as field agents, investigating reports of possible objects and recovering and containing them.
The show has thematic similarities in common both with The X-Files and Friday The 13th: The Series, with mood and aesthetics sharing elements with Moonlighting, Indiana Jones, and the pulp and steampunk genres in general. Contrary to the X-Files, however, the mood of the show is much more lighthearted, and while there is elements of conspiracy, they are downplayed in comparison with the Chris Carter series. Some reviewers have outright accused "borrowing too much" from the Friday The 13th series; but the tone, mood, and the nature of the artifacts (all artifacts in the latter show are cursed, while some in Warehouse 13 can be beneficial in the right hands, and cause no ill effects to the user) set the shows apart.
Besides the obvious pulp/steampunk/weird science vibe; the show has elements of investigative procedural dramas that might appeal to viewers of those shows. The greatest strength, what separates it from other similar shows is the acting, or rather the casting choices and the chemistry between the actors. It's not that the acting is great; it's good, but not overly so. However, the right people for each part were chosen, and coupled with the writing, you believe they are real people when they interact. You can relate to each character on some level, and the diverse and detailed personalities and character types allow more viewers to find a character they can identify with.
Geeks like me immediately relate to Artie and his technical acumen. Guys who don't think of themselves as geeks will surely see something of themselves in Artie; and Myka is a good role model for strong women who have a difficult relationship with their fathers. The latest addition to the cast, Claudia, provides a great mirror for free-spirited girls who like both science fiction and need good characters they can relate too. We know how scarce good characters like that are in scifi and related genres.
What about other things, like visual effects, music, or the title sequence? The visual effects are TV issue; of course; and you can tell when they show some of the big machinery in the warehouse, when it's an entirely CGI shot (or close enough). However, when its small effects, like the workings of an artifact, the quality is excellent. The music is a perfect mix of an original score by Edward Rogers with music from current artists like Rihanna and Puscifer; as well as older (or more classic) music like Jefferson Airplane or Gloria Gaynor.
Then there's the title sequence; a well-executed clip of the theme by Rogers (and, according to some sources, Vivek Maddala), with shots of different artifacts that have been seen in the show, or might be seen in future episodes.
Speaking of artifacts, there's something for everybody. From completely fictitious objects such as the Tesla (the electric gun supposedly developed by my favorite scientist), or the Farnsworth (an audiovisual communicator purportedly built by the inventor of television), which are rooted in real world people or events; to objects that are (or could be) perfectly real but have been imbued by fantastic capabilities (such as the lightshow producing Studio 54 disco ball; or Alice Lyddel's mirror); to completely made up artifacts like "The Saracen's Spine" (an alchemical device created in the Crusades that attaches itself to a host's body and burns it up to generate dangerous electrical attacks).
I love the artifacts, and I can't wait to see what new gadgets they come up with each episode. And let me mention
I know this is a pretty slanted review; that I like the show too much; at least I can admit that much. Maybe it's not even a review, but more like a gospel, preaching to my fellow geeks to join in on the fun. I can, however, find a few flaws, if minor ones. First of all, the short season makes for a somewhat rushed plot. If it wasn't for the good casting; acting and writing, it could have been too short a season to actually care about the characters. I've seen things like that happen in some shows... even in some with seasons with twenty or more episodes.
A second flaw is that the plot is... slightly predictable, so to speak. That's not necessarily a bad thing; I believe. The strength in the writing is in the execution of the plots, in the interaction between characters. The last minor flaw is in the season finale episode, small details in the writing. Some of the plot devices that are used to make the villains gain the upper hand (for the obligatory cliffhanger) leave the main characters looking a bit more clueless than they should be. But not all can be perfect; if anything, it's the mark of a new show trying to find its feet.
Not only it's a success among fans; it's also a verified ratings success. It averaged more than four million total viewers per episode; including more than two millions adults between the ages of 25 and 54; and almost two million and a half household viewers. It's achieved the status of SyFy's most successful series in the seventeen years of history of the network. It toppled Battlestar Galactica's mark set in its debut season (just over two million viewers), while bettering the three million total viewers record established by Eureka's freshman season in 2008-09.
Not only it beat SyFy's previous shows; it topped new series in other channels such as TNT's Hawthorne and Dark Blue, Lifetime's Drop Dead Dive; finishing second in new series only behind USA's Royal Pains. Warehouse 13 comprises one of the top 10 most-watched SyFy series telecasts ever; including the top three showings in network history. As an additional piece of information, it also has an approximately even viewership division between genders; possibly because of the good female characters mentioned before.
What more can I say? Go watch it; it's a short season, and it won't take you long to catch up. Of course, Dollhouse, The Big Bang Theory and others have started again; and Stargate Universe has just started... but I'm rambling. Warehouse 13 rules, and that is a scientific fact.
About The Author: Martín A. Pérez (AKA MaGnUs) writes short stories, articles, comics and radio plays. One of his short stories has been published in the book Contagion: War Stories, and an essay of his appears in "Teenagers from the Future: Essays on the Legion of Super-Heroes.". His articles have appeared online or in print magazines like Inforol, Ururol, Kryptonian Cybernet, and Strange Days, while he's currently writing for the Independent Comics Site, Shotgun Reviews and Nosolorol.
He co-produces and co-hosts a radio show about comics and related subjects, Perdidos en el Eter. An active part of Uruguay's fan scene, he's one of the creators of Montevideo Comics, the first local convention (since 2002), and one of the founders of Caballeros de Montevideo, which promotes RPGs through charity events. MaGnUs works at a tech-support call center, and is happily married to his wife Cindy, with whom he has a son, Gabriel, who ever since his birth has been marked to become yet another nerd... just like daddy!
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